A zine by Nathan Storey exploring printed matter as a queer method of witnessing, tracing the relationship between ephemera, desire, memory, and the archive. Moving through personal collections, the AIDS crisis, the Hudson River piers, and contemporary digital culture, the publication considers the trace, stain, fragment, and ruin as material forms through which queer histories survive and circulate.
Debut at Printed Matter’s 2026 NY Art Book Fair at MoMA PS1.
Risograph Zine
Saddle-stitched.
2026